Monday, 27 January 2014

New company logo

I decided to change my logo because i didn't really like the size and I thought that it would be better this way. I think it looks more professional now and a lot more like a realistic film company logo.


To create this logo I looked at some logos that belong to real production companies:



 
I like how the disney logo as a castle in the background, because this signifies the type of 'fairy tale' film that it produces. I like the font that is used the bright blue colour scheme.

 
I like how this logo is just a simple, readable font, on the background of something a little bit more complex. I like the clouds/sky image and I think it works well for this logo.

 
On this logo, I like how everything is on top of a black sky background, so everything stands out very well. I like how the main image of the earth fits well with the company name. I particularly like the positioning of the text on top of the main image.

 
I like this logo because it looks classic and I really like the black and gold colourscheme. I think the use of the lion is really effective.
 

 
I like this logo because there is a lot of detail on it. Again, I like the sky background and how the font of the text fits really well with the rest of the image and the blue and white colour scheme.

 
 Overall, I like how they are mostly simple with a simple colour scheme and the logos seem to match the type of films they create and produce. I took inspiration from the Universal logo in particular, where they had text over the top of a picture of the earth, I had mine over a colourful bubble.

Tuesday, 21 January 2014

Music considerations

I've decided that I think I would rather have a song that is instrumental and one that isn't very well known. This is because I think it would look like a music video if the song had words, and it would be more effective and hard hitting if it wasn't a popular song.

I have considered the following:

The Cinematic Orchestra- To Build a Home
Bon Iver- Flume
Bon Iver- Skinny Love







So far, I have decided on The Cinematic Orchestra- To Build a Home because I like how it is piano based and starts of very simple, and has a dramatic build up. I think this song is going to be the most effective and fitting. I will be using the instrumental version.


Moving Image Planning

Media Production

Moving Image planning document


What emotional impact do you want your filming do have upon the reader? How?
I want my film to be very emotional and I want it to tap into the feelings of the reader. I really want it to be moving and leave a lasting impact. To achieve this, I will use a lot of dim lighting, slow, instrumental, piano based music, no speech and the woman playing the main character has acting background so she will be able to put on a very convincing performance.


What personnel do you need? Who are you going to film?
I need 5 actors: the main character, a soldier, two friends and somebody who will turn up at her door to hand her the letter.


What props will you need?
I will need: a wedding dress, engagement ring, written letter in an envelope, a ring box, an army uniform, photographs of the characters in frames, champagne and glasses and a mobile phone.


How are you going to emphasise colour?
I am going to emphasise colour by making everything else, like lighting quite dark, so that any necessary and important bright colour (her wedding dress) will be a noticeable contrast.


Have you briefed your personnel/models?
I have briefed all personnel in advance but they will be talked through exactly what it is I would like them to before I film them so that they understand and they can practice if they would like to.


What lighting will you need? Any other equipment?
In the film, I want everything to be quite dimly lit so I will be using a lot of natural lighting and just the lighting that would be in any normal house. In the proposal scene, I want a lot of shadow and silhouettes so I will film at night and use fairy lights to provide a warm glowing light, with the flash used on the camera also. I won’t really need any other equipment other than a camera and the editing software.


Where will you shoot? Will you need a backdrop?
Everywhere that I will be shooting will be inside and outside of my house and there is no need for a backdrop. This is because I want to convey a normal woman, living in a normal house so the best way to achieve that would be to just film in an ordinary house.


 Make-up? Costume?

I want it to be gritty and real, so the actors won’t be using a lot of makeup and I won’t be editing them to make them look a certain way, so I am not concentrating on makeup. Again, for the element of realism, I want the actress to provide her own clothes; generally anything she would usually wear day to day. I want a wedding dress and an army costume, and I know two friends of the family who I could get these from. 

Deconstructing a poster

I looked at the poster for the film 'The Eye" and made a deconstruction table, picking out important parts of it, so I had ideas of what to consider when making my own. 




Deconstructing a Poster

Description of the main image



One image of a woman pressed against a window, looking at the rain, her eyes look grey and unusual which hints at the genre of the film as something like this would usually be associated with horror or thriller genre. 
Is there more than one image? Why?



There is only one image on the poster, to make sure that all the attention is based on this woman- the main character. If more than one image was used, this may divert the spectator's attention from the main image. The posture and facial expression of the woman in the main image leaves a lasting effect as it is mysterious and a good advertising method as it evoke intrigue and people will want to find out who the woman is in the picture. 
Layout



There is one image, with very little text. The text is on top of the image, but her face is still clear to see. It is a simple layout, with the text framing the main image, almost creating a border for the most important element. 
Framing



The poster is image based, meaning there is one dominant image with text on top of it, which is all smaller in comparison. The title is the largest text and everything else is smaller. Everything fits within the frame. Again, the text frames the image as it is the most important element and can arguably draw in more potential spectators, than text can. 
Colour Scheme



Very dark colour scheme, even the skin of the woman seems grey, to match that of the text. The skin of the lady on the poster looks almost like a metalic silver colour, which signifies some kind of paranormal element to the film. All of the dark colours are used to signify that the film is not a colourful, heartwarming film, but implies that there will be elements of horror or something very dark will happen in the film. 
Font



There is not really a wide variety of fonts used, but all are simple and easy to read. The title is a similar font to everything else but is made bigger and bold so that we are able to distinguish it from the rest of the text as the title and so that it stands out. The font used for the main title carries similarities to the kind that would be used on science fiction films, so this also gives a hint as to what kind of genre to expect within the film. The font can play a big part in a film poster, which is why I want to make sure the font I use on mine is closely link the genre and storyline, for example either hand written or with the effect that it has been written on a typewriter. 



Tagline



The tagline reads “You won’t believe her eyes.” Which is a play on the phrase known as ‘you won’t believe your eyes’ so it already briefly hints at the storyline but still leaves the audience wondering and intrigued, which is what I want my poster to do. It also directly targets the audience by using the personal pronoun 'you' and this creates a sense of synthetic personalisation, as the audience feel like they are targeted personally and this may make them feel intrigued and more inclined to watch the film. 
Description of Film Title



The title is “The Eye” which is very simple and doesn’t give much away at all. All we gather is that it is obviously about this lady’s eye but the conciseness makes the film seem more thought-provoking. It is straight to the point and relies more on the image and the tagline to tell more about what the narrative is about. 
Who is mentioned in the poster?



The only person mentioned on the poster is the actress, Jessica Alba. This could be because she plays the main character, as well as the fact that the only picture on the poster displays her. It could also be a unique selling point as she is a well known, popular actress and this could persuade more people the watch the film. 
How is the necessary information placed?


This information is placed at the bottom of the poster but all of the necessary information is made to be bigger and more eye catching than any of the other text. For example, the title is bigger than the tagline, and the name of the actress is more eye catching than the information given about the film at the top.
Genre? How do you know?



Based on the dark and metallic colour pallet, the unusual facial expression of the actress, the wording in the information at the top, which gives a definition of a term which will obviously be investigated in the film and in the tagline and title itself, I would think that the genre of this film would either be thriller/horror or science fiction and I think conventions like this would be common on science fiction films also. 
Connotations/ effect of text



The photograph and all of the elements of the poster give off an eerie vibe that is intriguing to the audience. The lack of information leaves the poster down to audience interpretation and we have no idea what it is going to be about, other than a lady’s eyes. It’s very simple but effective in that it leaves us wanting to watch the film, meaning it has fulfilled its purpose of advertisement. The use of the effect of the actress’ eyes carries connotations of ill-health or blindness which is also interesting and thought-provoking. The definition of 'Cellular Memory' at the top is a very good addition as it carries connotations of science fiction, therefore hints at the genre, but also gives a more detailed hint at what could potentially occur in the film and that it might have something to do with an issue with an eye donor. 


Conventions, producer and target audience planning

The conventions, the producer and target audience of my text:


 1.      What conventions do you plan to keep regarding the audio-visual construction of your text, main images of print work, sub-images, the title, font-use, textual elements (choice of lexis) and colour palette? Do you plan to change any of these? If so why, and how will they appeal to the target audience?  Where you are referring to how your text is going to be similar/dissimilar to other texts of the same genre please refer to specific examples & styles.

Film: In my film, I plan to keep it similar to a normal short film, with the same conventions. For example, a very short story line that doesn’t necessarily have so many different things happening at once and no long build up about the main character. However, I want it to be silent, with music in the background, which isn’t as typical for a silent film. I have considered editing it so that it is in black and white but decided against this as I would like to avoid it seeming cliché. I think it will appeal to my target audience because it is quite a mature storyline, but easy to follow and not too much to take in. I think that the element of background music and lack of speech will help the audience to follow what is happening and give them the silence to think about the story line and perhaps empathise for the main character.

Poster: I plan to keep the conventions of my poster very similar to that of any other poster released to promote a film, despite the fact that it is just a short film, that won’t necessarily be shown in a multiplex cinema. I want to use one main image which hints at the storyline but doesn’t give too much away. (A woman wearing a wedding dress and holding a letter) I won’t have too much text on the poster and I would prefer to use a very dark colour pallet, other than the white of the wedding dress that my actor will be wearing in the photograph. I will use the usual box at the bottom which includes all of the information about who was involved. The title is going to stand out on top of the costume, so that it is one of the first things you would see. I saw a poster for the film Les Miserables and I am taking a lot of conventions and elements from that because I really like the layout and I think it’s simple and effective.

Magazine article: I am going to keep the majority of my text the same font, with just a few variations, so that it is easy for my audience to read and understand, as some may be younger than others, with it being a 12. The kind of tone I want to write the article in is going to be quite informal with a positive outlook. To match this, I want the colour pallet to be quite light, with a lot of white. I may use white for the background also to make it easier to read. I want to have one main image, which will be a photo of one of the scenes in my film with perhaps two or three other images. I think this will appeal to my target audience because they will get a glimpse at what happens and what kind of film this is.  

2.      How would your product likely be produced and distributed if it were to be produced for sale or distribution in the ‘real world’? How do you know that this text fits a place/niche in the market that would sell to and who produces/distributes similar texts…which texts, to whom [target audience] and with what success?

As my film is a short and wouldn’t be considered a big, high budget blockbuster, the production and distribution would be quite different to something of full length like Harry Potter or Twilight. In my research, I found certain companies who deal with the production of short films. One I recently found which could be used is PicoPictures, which is an award winning, London based short film production company. I think a good idea of distribution would be displaying it in art house, local cinemas and online and maybe even as part of a campaign like the army widows association. I think there is a gap in the market for certain films like this, because having looked at Pico Pictures work, there are similar texts that have been successful and even award winning.

3.      Who is the target audience of your text? Try to be as specific as possible in terms of demographic information: gender, ages, characteristic behaviours regarding shopping, media consumption, social and entertainment habits, market segmentation, socio economic category etc. You should be able to characterise them in terms of these behaviours.
I think my target audience isn’t so specific- as in I think any body could enjoy it. However, I think that it may appeal to more females, than it would men, because they can relate to the main character as she is a woman. I think with the storyline being quite mature, it might appeal to teenagers and above, rather than children. As much as I think that they will probably read a lot of magazines and see films at the cinema often, I think the target audience is people who are interested in short films, maybe who attend films at art house cinemas and quite possibly people who have friends or family members in the army or have experienced something similar to that which goes on in the film. In particular, anybody who can relate and sympathise with the characters will be a part of my target audience.

4.      How are you going to gratify your audience?  What is going to make them watch/purchase/return to it?  Be specific and elaborate on what may seem to you to be minor details.
I think that the poster and article will make them intrigued and want to watch the film at the start because I want to include enough information that will make them interested and want to watch the film anyway, but also to hold back from giving too much away so that at first it is left down to their own interpretation of what the film will be about but then they will wonder what actually happens. I think this will drive them to watch it. I think that because a lot of people know about the consequences of going into the army and a lot of people have army related experiences, whether that means they have been in themselves or know someone how has or they are coping with a loss, people will be intrigued to watch it and will enjoy it and sympathise with the characters. I think the lack of speech is unusual combined with the music used ad the fact it is a short film that people will be interested in watching it because it is something new and unique that hey want to experience.


5.      Which media platforms/ broadcasters/ outlets would be interested in selling/ broadcasting/ showing your text? How do you know this?

As I mentioned before, the charity ‘Army Widows’ Association’ are a charity who deals with women going through the death of their loved one from being in the army. Having looked at their website, they encourage all kinds of help and support to raise money and awareness. I think that the money raised from people watching the film would be helpful and I’m sure they would be interested in that kind of help. Art house cinemas, like the Tyneside cinema could broadcast the film there as they not only show mainstream films; they also show shorts and independent films. It could also be shown at film festivals, as the people who attend them are more likely to be people who are really interested in all types of film.


The Recce (Photographs at the studio)

Before going to the studio to take my photographs, I filled out a recce to make sure I had considered everything: 

the ‘recce’

Provide answers in paragraph form to the questions below that

are relevant to your production.



1.      Are there any potential hazards that could pose a health and safety risk where your photo shoot will take place (trailing cables/traffic/other objects)?
I am shooting a photography studio so there will be no potential hazards. The only thing that may be hazardous that I can think of is the wires and cables that will be present because of the lighting and camera. I’m assuming that these kinds of potential obstacles will be taken care of by the technician, but I will make sure that I do not put my actors at risk at any point.
2.      What will you do to ensure these risks are minimised? I will make sure that before I start taking photos that there are no hazards or obstacles in the way and that there are no chances of danger. I may go to the studio earlier than the time I have given my actress to make sure.
3.      Will the time of day/weather affect the outcome of the photos? Have you allowed for this? The time of day and weather will not affect my photos as I am shooting them inside so this is not a thing I have to consider when taking my photos.
4.        Have you considered the background to your photos, particularly if taken outside? How will you ensure you will get the background you want? I don’t particularly want a background on my photo because for my poster, I would prefer to just add my own and use a dark colour. I think this will be more fitting to my style and genre. If I was to want to add a background when it comes to editing it, then I will be able to because I’m shooting in front of a white backdrop, therefore I can just cut out my actress and place her into my own background that I can take a photo of at a later date.
5.      Have you considered lighting? What about the ‘problems’ of natural lighting, either outside, or streaming through a window? Will you need to use a flash? Have you considered reflective objects that might spoil the effect? I don’t want to use natural lighting because I don’t think I will achieve the look I am looking for. So, I think I will be using a lot of high key lighting, but also light to cause shadows, possibly on the face. I think this will suit the style better than natural.
6.      Do you need permission to take photos in the place/venue you have in mind? I do need permission as I’m hoping to use a photography studio at the local university. I am going to email the technician and ask for his permission beforehand.
7.      Do you need to book time in a room As I said before, I need to book the studio. To do this, I will email the technician who works there and arrange a time that suits everybody.
8.      Are other people/crowds likely to be an issue for you? What have you done to ensure that it will not spoil the effect? Crowds and other people won’t be an issue because of the fact I’m shooting in a closed in, private studio. I would prefer to arrange a time when the university is closed/no lectures are taking place so that it minimizes the risk of interruptions from students needing to use the studio/needing the technicians help.
9.      Are you reliant on lifts/props/friends’ equipment/models? How have you planned that these things will come together at the appointed time? Plan B? I have made my own props, like the letter, so that I don’t have to rely on anybody else. I wanted a wedding dress so I have been able to get one from a family friend in advance, so that I know I have it before I go to the studio- again, so I don’t have to rely on anybody but myself. I am relying on the actress to get to the studio on her own at the right time but I am confident this will not be an issue.
10. Finally, have you thought of every eventuality…? I am confident that I have thought of everything and planned everything out beforehand. I have made a list of possible poses and lighting ideas so that I am not going into the studio with no idea of what to do as this could waste time and I may not end up with as good photos as I would like. 


Saturday, 18 January 2014

Studio Booking

I wanted to take some photos for my poster and magazine but I didn't want to take them in my own home. I booked a studio at the University to that I could have the best photos possible, with the guidance and advice of the owner/photographer there.

I had to email him and book it so that he was aware I was coming to use his studio: 

22/11/2013
To: Colin Young
Hi Colin,
Would I be able to take photos this Wednesday at 5pm?
Thanks,
Megan Quill


Sent from my iPhone


I had emailed him previously but finally came to a decision about the best time and his response was: 

Picture of Colin Young
Hi Megan 

What is the earliest you can get to the Media Centre on Wednesday, I don't have a booking in the afternoon yet but I have had several enquiries from other 6th form students, I could book you in from 4:00pm if that helps and that means finishing earlier.
Let me know.

Colin

Sent from my BlackBerry® PlayBook™
www.blackberry.com

We eventually compromised on a time that was better for myself, the technician and my actor. 

Time Management

In order to get all of my photographs and filming done well and in time, I had to be aware of time and have good time management. To do this, I compromised times between when I had finished college/work and when my actors were available and made a time table to remind me, featured below:

By doing this, I was able to have all of my filming and photos done in time so that I could spend time on editing and make sure I meet the deadline.